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916-455-2787

info@celebrationarts.net

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PRODUCTIONS

Photo Credit: Charr Crail

Celebration Arts produces six theatrical plays, an annual dance production, comedy shows and concerts, captivating audiences with powerful performances and thought-provoking narratives showcasing the immense talent of local actors and artists.

2024 SEASON OF BLACK GIRL MAGIC

Celebration Arts is thrilled to announce our 38th Season, Black Girl Magic, featuring iconic, award-winning plays and new original plays, written and directed by Black women. 


“Black Girl Magic is an expression of positivity and empowerment highlighting the struggles and triumphs of Black women. As we enter our 38th year, we pay homage to the Black women who stood by our founder James Wheatley’s side to fortify the foundation and vision of Celebration Arts.”


James Ellison III

Artistic Director

2024 SEASON SPONSORS


2024 PRESENTING SPONSOR



TOPDOG / UNDERDOG

By Suzan-Lori Parks

Directed By Melinda Wilson Ramey

June 7 – 30, 2024

Winner of the 2023 Tony Award for Best Revival of a Play and the 2002 Pulitzer Prize for Drama. TOPDOG/UNDERDOG is a darkly comic fable of brotherly love and family identity, telling the story of Lincoln and Booth, two brothers whose names, given to them as a joke, foretell a lifetime of sibling rivalry and resentment. Haunted by their past, the brothers are forced to confront the shattering reality of their future.

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MUD, RIVER, STONE

By Lynn Nottage

Directed By Nashell Lynem 

August 9 -September 1, 2024

An African-American couple vacationing in Africa takes a turn off the main highway and finds themselves stranded during the rainy season in the remnants of a grand hotel. In a surprising twist, the couple’s comic and romantic adventure takes on absurd dimensions, and their relationship is tested by the volatile politics of Africa, learning what the hungry human spirit will do for food and a warm blanket.

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CRUMBS FROM THE

TABLE OF JOY

By Lynn Nottage

Directed By Imani Mitchell

October 11 – November 3, 2024

This charming, funny, and moving play, set against the social politics of the 1950s, follows 17-year-old Ernestine Crump as she adjusts to life after the passing of her beloved mother. In search of spiritual answers, Ernestine’s father relocates the family from Pensacola to Brooklyn, where the Crumps must navigate a changing family dynamic, an unwelcoming neighborhood, and a shifting set of American ideals.

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TINKER THE TOY MAKER

By Niyah Moore & James Ellison III

Directed By Niyah Moore

December 6 – 22, 2024

In the festive village of Jangleville, a talented and spirited woman named Mary Tinker was known for crafting the most enchanting toys that spread joy throughout the holiday season. However, little did she know that her creations had caught the eye of a mischievous toymaker, who wanted to capitalize on her genius and steal her toys under his name. Can Tinker bring back the true magic of the season?

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FOR COLORED GIRLS WHO HAVE CONSIDERED

SUICIDE / WHEN THE RAINBOW IS ENUF

By Ntozake Shange

Directed By Voress Franklin

February 2 – 25, 2024

*At the Guild Theater in Oak Park, In partnership with St. Hope for Black History Month. 

A groundbreaking work in modern American theater, FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF is a choreopoem following seven women through a world of racism, oppression, and sexism. Filled with passion, humor, and raw honesty, they tell their stories and those of other women they know through a fusion of poetry, music, and dance.


This play includes adult themes and situations. Parental guidance for children under 13 is strongly recommended.


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ZORA & LANGSTON

Written and Directed by Imani Mitchell

March 1 – 17, 2024

We find two bright talents at the height of the Harlem Renaissance: Zora Neale Hurston, a fiery novelist with a flair for eccentricity, and Langston Hughes, a cerebral poet who plans to strategize himself to the top. A friendship quickly blossoms, filled with artistic passion, emotional depth, and a streak of competition.


But soon, the pair find themselves controlled by the incessant demands of their benefactor, which leads to the demise of their friendship. This play grapples with the complexity of relationships, the passion of artists, and the literary heart of Harlem in the 1920s through a fusion of poetry, music, and dance.

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